As a long-time fan of The Moth podcast, I was beyond geeked to find out that The Moth hosts live Story Slams in Chicago on the last Tuesday of each month, at Martyr's, which is just down the street from me! Live story telling doesn't strike me as being hugely popular in this day and age, so I assumed my friends and I would be in the company of a few socially awkward guys with bad skin playing chess or D & D at a corner table. Boy was I wrong! As verified by the people waiting in the line that stretched out the door, the hipster crowd has latched onto anything and everything NPR, which makes these Story Slams a very cool and incredibly trendy way to spend a Tuesday night.
Each month, The Moth people choose a theme, which has to somehow figure into every story told. Anyone can sign up to tell a story, and of those volunteers, ten people are chosen at random. Every story is recorded and audience members can volunteer to judge, rating the stories on a scale from 1-10. The winner goes on to participate in regional (and possibly even national!) competitions. So as not to extend the event into the wee hours of the morning, a time limit is set for each story teller, replete with 60- and 30-second warning tones, giving the performer ample time to wrap up their yarn.
The topic that evening was SCARS, and the stories ran the gamut: physical, emotional, metaphorical. Aside from one last-minute sign-up, every story teller was well rehearsed, well prepared, and remarkably polished. Some tales were sad, some were hysterical, and one was even kind of raunchy, but they all tied in to the given topic. As I listened, laughed, gasped, and applauded wildly, I realized how much story telling was like writing. The strongest stories had a powerful introduction and a hook that drew listeners in right away. They were well structured, concise, dynamic, and had a concrete ending. The best story tellers were able to bring the tale full circle, and used facial expressions and vocal inflections (two perks not found in printed stories) to their undeniable benefit.
At my friends' urging, I toyed with the idea of signing up to tell a story. Having not known the theme beforehand, though, I decided against it. As the night went along, I became more and more convinced that I can tell my stories better in writing than I could in front of a microphone. Most of humanity can be divided into one of two camps: the Thinkers or the Doers. I identify more with the former. As a musician, this division is referred to as the Classically Trained and the Improvisers. I'm a Classical gal through and through. Put a piece of music on my stand, and with a little practice, I can play just about anything. Ask me to make something up on the spot, and I crumble. Other people I know are brilliant improvisers, but struggle to breathe life into a page full of notes. For me, story telling is a lot like music making; I need the ink on the page, to see the structure before me, and to practice the more difficult passages.
In short, you probably won't hear me on The Moth or at a jazz band concert, or any other improvised event. Although I have plenty of stories to tell, they won't be in that format. But if you're interested in my take on the scars theme, read on-- I'll be posting my (written) version very soon!
Photo Credit: Danielle Deschaine
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